| 100 | Shakespeare | E |
| Shakespeare's major plays, critical approaches, performance analysis. |
| 101 | English Novel of the 18th Century and the 19th Century | E |
| A discussion of major 18th and 19th century English novels (Defoe, Richardson, Fielding, Sterne, Austen, Dickens, Thackeray, G. Eliot, Hardy). |
| 102 | Romantic Poets | PZ |
| Interpreting poetry of the first and the second generation of the romantic poets (Wordsworth, Coleridge, Byron, Shelley, Keats). |
| 103 | The Middle Ages - A Survey | PS |
| The course explores a wide range of literary texts starting from the Old English period up to late Middle Ages. It devotes special attention to the question of how literature reflected various cultural phenomena of the time like: chivalry, courtly love, cult of the saints, traveling and pilgrimage, rituals, dreams, magic and the supernatural, allegory, the soul/body dichotomy. |
| 104 | A Survey of English Literature of the Renaissance Period | PS |
| Overview of the major figures, literary genres, and attitudes of the English Renaissance Period. |
| 107 | English Drama form Shakespeare to Shaw | PS |
| Overview of major authors and their selected plays |
| 108 | Victorian Poetry | PS |
| The analysis of the poetry by Browning, Tennyson, Hopkins and Pre-Raphaelits. |
| 109 | British Novel of the 1930's | E |
| Analysis of selected novels of E. Waugh, G. Greene, A. Huxley, J. Rhys. |
| 110 | British Writers of the 1930's | E |
| Analysis of selected novels of G. Greene, E. Waugh, C. Day -Lewis, W.H. Auden, L. MacNeice, S.Spender, Ch. Isherwood, T. Rattigan, N. Coward. |
| 111 | British Novel after 1945 | K |
| Interpretations of the novels by I. Murdoch, J. Rhys, Fowles, K. Amis, S. Rushdie, M. Bradbury and others. |
| 112 | Introduction to Literary Theory | PS |
| Contemporary trends in literary theory. |
| 113 | Readings in Post-War British Poetry | E |
| A Survey of trends in modern poetry |
| 114 | 19-th Century Sensational Novel | PS |
| Analysis of selected novels of Ch. Dickens, W. Collins, and A.C. Doyle. |
| 115 | Dickens and Crime | PS |
| The role and significance of crime in the selected novels by Dickens. |
| 116 | Medieval Romance | PS |
| Chretien de Troyes, Sir Gawain and the Green Knight, English alliterative romances. The Course is devoted to the analysis of the romance as a genre of the popular medieval literature. The main issues focused on include the conflict between emotion and duty, as well as the complicated nature of interpersonal relationships. |
| 118 | Arthurian Literature | PS |
| Overview of the sources and basic texts of the Arthurian Cycle: Geoffrey of Manmouth, Chretien de Troyes, Marie de France, Layamon, Thomas Malory. |
| 119 | British War Poetry in the 20th Century | PS |
| Poetry of the first World War, poetry of the 30ies, poetry of the second World War. |
| 1000 | Poetry and Politics: the 1930's in British Literature | E |
| Literature of the 1930's as a reflection of the socio-economic changes and political crises of the period. Issues tackled include: communism, fascism and war. |
| 1001 | Metaphysical Poets | E |
| A survey of literary and philosophical trends in the XVII century and their reflection in metaphysical poetry. |
| 1002 | English Satire | E |
| A survey of texts from a chosen period or genre. |
| 1003 | The Gothic Novel | PS |
| Gothic fiction of the 18th and 19th century (H. Walpole, Ann Radcliffe, Mathew Lewis, Mary Shelley, B. Stoken). |
| 1004 | The "Roman Catholic" Novel in England | PS |
| The emancipation of the Catholic intelligentia. Adherence to the magisterium: Marshall, Chesterton; the doubting Catholics: Green, Waugh; the rebels: Spark, Lodge. |
| 1005 | Medieval Allegorical Tradition | E |
| The analysis of Roman de la Rose, Pearl, Pierce Plowman and the poems of Chaucer. |
| 1007 | Writers and the Cinema | E |
| The course explores the relation between literature and cinema. It focuses on the work of writers who made their debut in the interwar period (Scott Fitzgerald, Dos Passos, Isherwood, Greene). |
| 1008 | Close reading of a major English text | PS |
| A detailed analysis of a chosen major work of English literature |
| 1009 | J. R. R. Tolkien | PS |
| Critical analysis of the Lord of the Rings and Silmarillion and other texts. |
| 1010 | Close Reading of a British Novel and its Film Adaptation | PS |
| Narrative techniques in the novel and in the film, close reading of a literary text, comparative analysis of various adaptations. |
| 1011 | Secular Song and the Oral Tradition | PS |
| History of the oral transmission of the epic and lyric tradition from the Old English song and Beowulf to the Plantagenets. |
| 1012 | Chaucer and the fourteenth century | PS |
| The course focuses on the literary heritage of G. Chaucer on the background of contemporaneous genre conventions. |
| 1013 | Trends in contemporary British Poetry | PS |
| Analysis of the major trends in post war British poetry. |
| 1016 | English Sonnet of the 16th and 17th century | E |
| Analysis of the selected works of Sidney, Wyatt, Spenser, Donne, Shakespeare and Milton focusing on the formal aspects of literary composition. Sonnet cycles. |
| 1017 | Contemporary British Short Story | E |
| Short stories of British writers of the 1970s - 1990s, among others Ben Okri, Salman Rushdie, John Fowles, J.G. Ballard, Graham Swift, Ian McEwan, Michelle Roberts, Julian Barnes. Their writing as indicative of the contemporary literary fashions in England. Special attention paid to the very form of the short story and to intertextual dialogues between these writers. |
| 1018 | British Women Writers of the 20th Century | E |
| Novels and stories by Virginia Woolf, Iris Murdoch, Doris Lessing, Jean Rhys, Fay Weldon, Angela Carter. Discussion of the notions of 'femininity', 'feminine\female literature' and their evolution over the century. The question of what it means to be within literary canon analysed against the background of women writing. |
| 1019 | Twentieth Century Anglo-Welsh Poetry | PS |
| The course consists in a series of close readings of twentieth century Anglo-Welsh poetry, as well as poetic drama and prose, in relation to the geographic, historic and cultural background. Most attention is devoted to Dylan Thomas. The rest of the course discusses R.S. Thomas and contemporary poets. |
| 1020 | Robin Hood and Other Outlaws | PS |
| The course is devoted to the analysis of various literary forms (story, chronicle, ballad, drama, lyric) and the character of the "rebel" on a wide cultural background. |
| 1021 | The Visual and the Written in 19th century | PS |
| The aim of the course is to explore the various interpretations of works of 19th century poetry through their juxtaposition with the paintings of the major artists of the period. |
| 200 | William Shakespeare | E |
| A selection of Shakespeare's plays against a wider background of Elizabethan culture and literature. Re (interpreting) Shakespeare's plays in view of contemporary methodological approaches. Critical and cinematic reception of Shakespeare. Adaptation and intertextuality. |
| 201 | 18th and 19th century English Novel | E |
| An advanced course, dealing with the lesser novelists of XVIII and XIX century (Smollet, Gaskill, Collins, Butler). |
| 202 | Geoffrey Chaucer | PS |
| Chaucer's major works - Canterbury Tales in particular, discussed in the context of European medieval literature. |
| 203 | 20th Century British Drama | PZ |
| Discussion of the 20th century drama (from B. Shaw, Irish literary revival to E. Bond, H. Pinter and contemporary Irish drama (B. Friel). |
| 204 | Dickens and Thackeray | E |
| Analysis of five works with special attention devoted to the "social" novels. |
| 205 | 18th Century English Poetry | E |
| Overview of the Augustian and Pre-Romantic poetry. |
| 206 | English Poetry of the 17th Century | E |
| Discussion of metaphysical poetry, Milton, Rochester in the cultural context of the epoch. |
| 207 | Modernist British Novel | PS |
| Poetics of the novel in the context of the epoch (Conrad, Ford, Joyce, Woolf, D. Richardson, A. Huxley). |
| 208 | British Poetry of the 20th century | E |
| Selected work (about 20 pieces) from T.S. Eliot to Seamus Heaney. |
| 210 | Realism | PS |
| Realism and realistic conventions in British fiction in the 18th, 19th and 20th century. |
| 215 | Neoplatonism in English Literature | PS |
| The (neo) Platonic doctrine of Plato and Plotinus, Medieval Neoplatonism, the activities of the Florence Academy (M. Ficino) and G. Bruno. Basic ethical and aesthetic assumptions. Magic and occult influences. Neoplatonic inspirations in the works of P. Sidney, W. Shakespeare and E. Spenser. |
| 216 | Thomas Stearns Eliot | PS |
| Analysis of the author's selected works in the context of the modernist theory and practice. |
| 217 | The Cycle of the Holy Grail | PS |
| Overview and analysis of the basic texts form the Cycle of the Holy Grail (12th - 14th century). |
| 218 | English Medieval Mysticism | PS |
| The Cloud of Unknowing, Richard Rolle, Julian Norwich, Walter Hilton and others. Analysis of mystical texts and their influence on the literature. |
| 219 | A Narcissistic Novelist - John Fowles | PS |
| The aim of the course is to discuss the novelistic oeuvre of John Fowles against the background of contemporary literary theories. The reading list includes all major books by Fowles: The Collector, The Magus, The French Lieutenant's Woman, The Ebony Tower, The Maggot, Mantissa. Special attention is paid to the notions of metafiction, narcissism and intertextuality as well as to Fowles's fascinations with the theories of Jung, Freud and with existential philosophy. |
| 2001 | Renaissance Culture | E |
| Humanism and reformation, printing press and Renaissance concept of authorship, new geographical horizons, courtly culture, New Philosophy. |
| Wybrane tendencje w literaturze irlandzkiej w języku angielskim od końca XIX wieku do chwili obecnej. Kurs obejmuje zarówno zagadnienia polityczno-społeczne jak i kulturowe. |
| 2004 | Drama in Performance | PS |
| Analysis of selected film versions of Shakespeare's and Marlowe's plays (e.g. L. Olivier, F. Zeffirelli and K. Branagh). |
| 2005 | James Joyce | PS |
| The analysis of the novels with particular emphasis on narrative techniques. |
| 2006 | Iris Murdoch. Philosophy and Fiction. Ethical and Aesthetic Ideas | PS |
| The analysis of selected novels: Under the Net, The Bell, The Black Prince, The Sea the Sea. |
| 2008 | Characters and People | PS |
| Literary techniques and philosophical and psychological concepts of man (Austen, Ch, Brontë, Dickens, Conrad, Woolf, Golding, Beckett). |
| 2011 | Auden and Yeats | PS |
| The analysis of selected poems with particular emphasis on the poetic theory and practice. |
| 2012 | Philip Larkin | PS |
| Discussion of his poetry and essays in the historical context. Larkin's reception in Poland. |
| 2013 | Narrative Strategies in the 20th Century British Fiction | E |
| Close reading of the novels by James Joyce, Jean Rhys, Angela Carter, Jeannette Winterson, Alan Hollinghurst and Anthony Burgess. Discussion of narrative strategies such as: stream of consciousness, intertextuality, epiphany, multivocalism. The scope of reference includes: Michail Bakhtin, Roland Barthes, Michel Foucault, Sigmund Freud, Umberto Eco. |
| 2014 | Semiotics of Renaissance Drama | E |
| OGeneral introduction to semiotic theory and semiotics of drama and performance. Elizabethan acting and stage directing. Evolution of dramatic conventions and stage techniques. Semiotics of space, gesture and costume. |
| 2015 | Romantic Prose | E |
| A survey of the most important novels of the Romantic period (Jane Austen Sense and Sensibility, Northanger Abbey, Maria Edgeworth Castle Rackrent, Mary Shelley Frankenstein, Sir Walter Scott Waverley) as well as the relevant critical essays from the period. |
| 2016 | Literature in Translation | PZ |
| An overview of translated literature (from / into Polish and English). The specificity of the translation of drama, poetry and prose. Translation strategies vs. translation analysis. Sample translations. |
| 2017 | Literary Translation Theory | E |
| An overview of historical and contemporary approaches to translation: translation and rhetoric, Bible translation, Manipulation School, Polysystem Theory, Descriptive Translation Studies, translation and deconstruction. |
| 2018 | British Novel since the 1970s | PZ |
| The selected novels (8) illustrate varieties of forms - postmodernist, metafiction, intertextuality, feminist (Fowles, Lodge, Julian Barness, Ishiguro, McEwan, A. Carter, Jeanette Winterson). |
| 2020 | Post-colonial Theory | PZ |
| Cultural difference, the role of allegory in early colonial discourse, the concept of the other, post-colonial theory and translation, race and hybridity. |
| 2021 | The English Sonnet from Renaissance to the 20th Century | PZ |
| The creation of subjectivity, self-reflexivity and the sonnet, sonnet sequence, the sonnet and gender, the historical development of the genre. |
| 2022 | The Pastoral Ideal, Genres, and Mode in English Literary Theory and Practice. Medieval into Modern | PZ |
| From medieval literature, Renaissance, 18th century, 19th century, the contemporary ecological and environmental writing. |
| 2023 | The Popular and Literary Ballad | PS |
| The course is a survey of the ballad genre beginning with the anonymous medieval folk ballads, and continuing with the analysis of the role of the song in Shakespeare, and the Romantic literary ballad, up to contemporary use of the ballad tradition by European and American poets. It also includes elements of the theory of the genre and of oral-formulaic composition. |
| 2026 | The English Epic and its Background | E |
| The aim of the course is the presentation of the development of the Englis epic in the context of the Western epic tradition. |
| English Literature | E |
| A survey curse of English literature from Anglo-Saxon to contemporary literature. |
| Introduction to Literary Studies | TZ |
| Basic concepts and methods of literary text analysis. |